March 27, 1966Return of The Universal ManEvery age has its heroes and its geniuses. Some of these outstanding personalities flash but briefly through the historical firmament. But a few are universal men whose achievements transform the lives of people beyond their communities and beyond their times. Society today yearns for the return of the universal man. Unrest of the human spirit is world wide. All peoples are seeking the meaning of life and their places in civilization. Whether it's nationalism in Africa, industrialism in the Orient, freedom in the Iron Curtain countries, or racial strife in the United States — the winds of change are reaching gale strength. Conditions demand captains who can sail in all seas. Such men are in this nation today — perhaps not aware of their universal ability, perhaps reluctant to participate in the struggle. Yet, the needs of their fellow men and their posterity call for the universal men to step forward. The term "universal man" was first applied to Leonardo DaVinci and Michaelangelo — the giants of giants during the period of history we know as the Renaissance. The Renaissance lasted 300 years — from the 14th to the 16th centuries. It was a "rebirth" the dawn of a new golden age of creativity. DaVinci and Michaelangelo typified the kind of men who led us from the Dark Ages into the modern world as we know it today. They had the four Cs of the human spirit which made the universal man understood and followed:
The Renaissance was characterised by its interest in man and ethics. It was accompanied by a great outburst of individual creativity in. literature, painting, sculpture, architecture and science. It was an historical miracle interrupting the ordinary course of evolution — a sudden break-through and acceleration of new ideas — an event we are again experiencing today. The geniuses who possessed the four Cs that thrust them into positions of acclaim are now the great names of Western Civilization — Petrarch, Michaelangelo, Raphael, Leonardo DaVinci, Boccaccio, Copernicus, Galileo, Kepler, Rabelais, Shakespeare, Cervantes, Erasmus. These men were enormously curious about the world, but most particularly about the nature of man. There was an ardent search of classical literature and of archeology for clues to man's beginning; and of science and philosophy as to his destination. The universal man had broad interests. He strived to know something about everything as he was not sure just where he would find the key to unlock a maze of doors confining the human spirit. This curiosity sparked an age of discovery. Columbus, Magellan, and Vasco DaGama found unknown lands across unknown seas. It was the beginning of the long drive to internationalism still in its early, painful stages today. Curiosity, aided by creative ability, also inspired the invention of the telescope, the microscope, printing and gun powder. We may debate the merits of these technological advances but there is no doubt they profoundly transformed our lives. The creative urge to speak universally brought the start of our great body of vernacular literature. For the first time authors wrote for the common man, in the language of the market place. Fiction was born for the sole purpose of giving pleasure in reading. Shakespeare shaped drama into a new art form. Painters and sculptors, architects and craftsmen -- all were consumed with the fire of creativity. Art evolved for the pure sake of beauty. Pleasing proportions and colors were applied to everything from swords to palaces. Pride in craftsmanship was the hall mark of the universal man. He not only studied, and designed new works but set about to make his own tools and carry his own mortar. Michaelangelo quarried the marble for his magnificent Pieta, and ground his own pigments for the paintings on the ceiling of the Sistine Chapel. Such versatility in workmanship led to a cross-fertilization of ideas — skill in several fields. Thus, DaVinci could create the Mona Lisa and the first war tank from the same fertile mind. He de-signed flying machines, water filtration plants and sonatas with equal ease. The thing that brought all these. driving forces together was the fourth C of the universal man — consideration. Consideration for the other man. This was the beginning of the humanist movement — of individualism — of the transcendent worth of a single person. Falling under the attack of humanism were the remnants of feudalism, dogmatism, reliance on authority in spiritual and scientific matters, censorship of thought, religious intolerance and restrictions of trade and commerce. The concept of courtesy was born. And respect for womanhood. The moral qualities of honesty, loyalty and consideration for others were planted in our culture. The universal man was tolerant of the shortcomings of other men, recognizing his own. He listened to the ideas and opinions of others seriously as he sought ways of adapting all the good he could find into a larger whole. For the first time, the universal man discovered his social consciousness. He created the institutions of hospitals, orphanages and poor houses. He came to believe that although he was not his brother's keeper, he was his brother's helpmate. Before the energies of the Renaissance were absorbed by the imperial wars of the 17th and 18th centuries, the ideal of a universal man — knowledgeable, versatile, capable, helpful — was firmly established.
Concern, Practical Help
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